It seems the longer people live here, the more inclined they are to stick to their side of the bridge. There’s so much to do, it’s not hard to get around, but its easy to start putting up psychological barriers – to have a gradually shrinking comfort zone as one gets more accustomed to a place and starts falling into routines. Fuck that noise! The BART may not run all night, but there’s a bus that does.

Chicago’s Cave don’t make any excuses; they are consummate professionals. Play a free living room show on Thanksgiving in Oakland? Rock the house. Slay a packed Hemlock Tavern on a Friday night in San Francisco? No doubt about it. Does Rotten Milk wear sparkly jeans? Yes, and they are fabulous.
I was fortunate enough to be at both shows, flanking my main man Forest. In Oakland, Forest opened as Skate Laws and in SF the versatile Juziuk spun 45’s in between sets, setting the tone for Cave’s hypnotic riffage.
In my attempts to convince a beautiful woman to accompany me to the second show, the best description I could come up with involved the words “locked-in” more than a few times. I suppose I could’ve name checked Can, but I think that’s doing Cave a slight disservice. Their influences extend beyond Motorik, into Fela territory and are not entirely terrestrial. Just watch Rotten Milk play: when dude gets into it, he closes his eyes and tilts his head back, and you can tell he’s channeling something not of this world.

It’s impossible to single out the one element that makes Cave such a great band, but it starts with the relentless rhythm section. Rex & Dan live in the pocket, allowing Cooper & RM to lay out while never losing the groove. James Brown would be proud, and I can’t think of a higher compliment.

Their latest is Neverendless, out now on Drag City. Highly recommended – pick it up when they roll through your town or at any fine record selling establishment. For a sip of the juice, check out the boys below playing most of the LP while riding round shining.























